NEW RELEASES 2009

Soon to be released:

MCD 0901  Fox Fire
Ken Vandermark, sax – Barry Guy, bass – Mark Sanders, perc
Double CD with Live recordings from Birmingham and Leeds 2008

From Barry Guy’s introduction:

There was a sense of excitement as the trio opened their first set in Birmingham of a mostly north England tour. Adjectives such as spiritual, energized, even devotional all come to mind.

The meeting with Ken Vandermark in a classic trio formation of Saxophone (doubling clarinet), bass and percussion was suggested by Mark Sanders reacting to a tour proposal by the indefatigable organizer of Jazz events in the U.K. Tony Dudley-Evans.

The music was like an initiation, a very special meeting of three practitioners in the arcane art of improvisation. It was electric, with all channels of communication tuned to the maximum sensitivity. Later, sometime after the tour, the inevitable had to be considered - the choice of music for these CDs and titles that might impart a sense of the occasion.

The album title FOX FIRE refers to a Finnish fable about a fox starting fires by running across the snow with its sweeping tail sending sparks off into the sky - The Northern Lights or Aurora Borealis. The Finnish word for Fox fire is Revontulet. There was certainly an awareness of fiery interactions within the trio music. Two titles, taken from the Hopi Indian language speak for themselves: KATSINA  (initiation) the mainstay of Hopi culture where spiritual ties are established uniting the people whatever their geographical, linguistic or political persuasions. Boundaries are similarly transcended in improvisation, and communication between colleagues ensures the rites of passage. And KWINGYAW (the person who lives up in the cold North)  which we dedicate to Tony Dudley-Evans.

But what of disc two? Hop varieties grace these five tracks.

On the stand the atmosphere was convivial and intense. Off the stand we had the chance to exchange philosophies, visit an exhibition of painter Francis Bacon (a favourite of Ken's) in London and partake in the tasting of some very special English Ales, which became something of a pungent disquisition into flavours, ingredients and geography. Well known are the various hops that impart a bitterness into a fermenting ale.

Having explained the sources for the titles, I naturally hope that the listener will follow the unfolding process we went through as we traversed this musical landscape.

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Other CDs to be released in 2009:

Duo Recording with Agusti Fernandez, piano, Barry Guy, bass

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Also in the  making:
the third and final CD in the Bach/Guy solo violin series
With Maya Homburger, baroque violin

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RECENT  RELEASES:

MCD0803
JOHANN SEBASTIAN BACH (1685 - 1750) 
Clavier Übung III  (1739)
Malcolm ProudOrgan
Organ: Stadtkirche Stein am Rhein (Switzerland)  built in 1992 my Metzler

From the CD text by David Ledbetter

"Clavier Übung III is a series of profound meditations on the central doctrines of Lutheran faith, written with all the traditional expressive and communicative musical means of which Bach was the greatest master. It is the summit of his achievement as an improviser and composer of chorale-based organ works, and as such has never been equalled, let alone surpassed."

"Clavier Übung III ist eine Serie  tiefer Meditationen über zentrale lutherische Dogmen unter Verwendung traditioneller musikalischer Symbolik, die Bach wie kein anderer beherrschte. In diesem Werk erreicht er als Improvisator und Komponist choralgebundener Orgelwerke den Höhepunkt seines Könnens und bleibt darin bis heute unübertroffen, ja sogar unerreicht."

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BARRY GUY - MATS GUSTAFSSON - RAYMOND STRID
TARFALA
Barry Guy: bass
Mats Gustafsson: tenor, baritone sax, fluteophone
Raymond Strid: percussion
MCD 0801
After “You forget to answer” MCD9601 with Barry Guy’s Swedish Trio, here the second album on Maya Recordings with this group : a live recording from Culturen Västerås, Sweden, 2006.

“… The music on this album wells up from the joy of working together, with our singular energies coalescing to reflect the heat of engagement and the coolness of the open space around us.” Barry Guy

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MAYA HOMBURGER, BAROQUE VIOLIN
J.S.BACH
SONATA NO.2 BWV1003 A-MINOR
PARTITA NO.2 BWV1004 D-MINOR
BARRY GUY
AGLAIS FOR SOLO VIOLIN

MCD0802

INACHIS - AGLAIS - LYSANDRA are the compositions by Barry Guy, which will exist between Bach’s Sonatas and Partitas on our three CD project. They are all named after butterflies which for me represent the ultimate symbol for the mysteries and spirituality in nature, for colour, lightness of touch, intensity. I am pleased to have found a writer in Elisabeth Binder who agreed to compose an essay for this CD, not necessarily based on J.S.Bach and his music but on nature, depicted by one of the
world’s greatest artists Albrecht Dürer in his painting “Das grosse Rasenstück”.
For me, the magical world opening up by letting yourself been drawn into Dürer’s painting is very similar to the excitement and wonderment whenever one starts the day with yet another attempt at getting closer to Bach’s solo Sonatas and Partitas. In the intro to my first Bach/Guy Solo CD I wrote about “the lifelong search to transform the violin into a singing voice”. Having come as far as the second recording with the juxtaposition of Old and New, the search intensifies and the wish for accuracy is stronger than ever: this longing to be able to work on the tiniest of details in a totally naturalistic way in the hope to transcend into the bigger picture.
This recording captures one moment in time during this never ending journey.
Maya Homburger

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FERNÁNDEZ-PARKER-GUY-LYTTON
TOPOS
Agustí Fernández: piano
Evan Parker: tenor and soprano saxophones
Barry Guy: double bass
Paul Lytton: percussion

MCD0701

When Evan Parker, Barry Guy and percussionist
Paul Lytton renewed their association at l’Auditori in
Barcelona in March 2006, they chose to call the
resulting CD ZAFIRO, or “Sapphire”. The following
day, the trio was joined by Catalan pianist Agustí
Fernández at the same venue to record the TOPOS
album. The chemistry changes to an almost microscopic
world of shifting colours and densities prompted
by Fernández’s mercurial articulations of the piano
keys and the strings inside the instrument.
The nine tracks on TOPOS represent short essays in
controlled instrumental integration and quick fire
responses to the nuances of the changing textures.
Four dedicated musicians continuing their voyage of
discovery and invention.

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H.I. F. Biber  (1644-1704)
Mystery Sonatas
Rosenkranzsonaten

Double CD MCD0603 

Maya Homburger, baroque violin
Siobhan Armstrong, harp
Sarah Cunningham, viola da gamba
Brian Feehan,  lute
Malcolm Proud,  organ and harpsichord
Barry Guy, double bass

 

This CD was awarded the
 “Preis der Deuschen Schallplattenkritik”.

And the Magazin “Musik&Theater” gave it the
“Milestone Award”

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Still..... in the making  is a limited edition of 112 LPs with the long out of print recording by Barry Guy Statements V-XI (originally Incus 22). Each sleeve will have an original art work applied by artists like Alan Davie, Albert Irvin, Paul Mosse, Fred Hellier, Barry Guy, Hans Husel, Jan Erik Willgohs and Caroline Forbes.